signed Tony de Lautour and dated 2002 in brushpoint upper right; inscribed CONSPIRACY PLAN in brushpoint upper left
Private collection, Fielding.
Acquired from Hamish McKay Gallery, Wellington, 2002.
New & Recent Paintings, Hamish McKay Gallery, Wellington, 31st July–17th August, 2002.
LandsCaper, Te Manawa Museum of Art, Science and History, Palmerston North, 20 September–30 November, 2003.
Tony de Lautour’s career has been characterised by a posture of “bad-ness,” what Jonathan Bywater calls the “bastard culture of commercial internationalism.”¹ Of co...